{"id":320,"date":"2020-01-13T03:37:24","date_gmt":"2020-01-13T02:37:24","guid":{"rendered":"https:\/\/cccm.iem.at\/?page_id=320"},"modified":"2020-01-20T11:37:25","modified_gmt":"2020-01-20T10:37:25","slug":"reflection-1-1-upload","status":"publish","type":"page","link":"https:\/\/cccm.iem.at\/reflection-1-1-upload\/","title":{"rendered":"reflection 1-1 – upload"},"content":{"rendered":"\n

This is the selected root snippet from the development period 1:<\/p>\n\n\n\n

the beginning<\/a><\/div>\n\n\n\n

comment: I tried, as much as I could to embrace the pluralism of our different voices. The piece starts with a modification of my first proposal (according to some overall noise based patterns that I notices in sketches of other composers). This noisy ‘leitmotiv’ is juxtaposed with unrelated material by other composers, but it keeps reoccuring. The anamorphosis\/departing from a common point is present in both the twisted proportions of subsections, as well es in gradual modifications of the initial ‘leitmotivish’ sound. My goal was (but really in this short time we had impossible) to start with presenting at least one material from each composer, then shortening these bits up and slowly starting to fuse elements together. I am sorry to say that I have only managed to finish the ‘exposition’ part of my idea. What I have noticed in our sketches is the overall tendency of either writing very dark or very light sonorities, so I profited from that fact in constructing the overall dramaturgy of this excerpt.<\/em><\/p>\n\n\n\n

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    Give a tentative description of you imagine the selected root snippet \"the beginning\" develops. You can reflect on the meso-structure (1-2 minutes) or\/and the macro-structure (8-9 minutes).
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